Volume : 11, Issue : 1, JAN 2025

GLOBAL SOUTH AUR BHARAT

HINDI CINEMA AUR DAKSHIN VISHV KE DESH: SAHITYA, SAMAJ AUR SANSKRTI KA PRABHAV

DR. UMESH KUMAR

Abstract

cinema ke aavishkaar ke daur mein is takaneekee maadhyam ka prayog anek uddeshyon se prerit tha. isase saamaajik-saanskrtik dvandvon ka praadurbhaav hua. isako sinema ne lagaataar prakat hee nahin kiya balki in dvandvon mein apanee or se vishisht aayaam bhee jode. philmakaaron kee vyaavasaayik aur srjanaatmak aakaankshaon ka dvandv bhee sinema ko gaharaee tak prabhaavit karata raha hai. ye dvandv philmakaar mein saamaajik-saanskrtik pahachaan se hee nahin kalaakaar aur nishpaadak kee pahachaan se bhee upajate hain. baaharee parivesh mein hone vaale parivartanon ke saath philmakaar khud ke dvandv ko parade par aakaar deta hai. sinema hamaare maujooda daur ke saamaajik-saanskrtik yathaarth ke sabhee pahaluon ko abhivyakt karata hai. us par vargeey vaichaarik prabhaav bhee hota hai yah sach hai ki sinema hamaare samay ke sampoorn saty ko ujaagar nahin karata hai. bhaarat kee adhikaansh janasankhya gaavon mein nivaas karatee hai. aaj ke daur mein hindee sinema mein se gaanv gaayab ho rahe hain. svatantrata ke baad nirmit kaee lokapriy philmon mein gaanv ko katha ke kendr mein rakha gaya tha. do beegha jameen, madar indiya, ganga jamuna, jis desh mein ganga bahatee hai, naya daur, do aankhe baarah haath, mujhe jeene do, teesaree kasam, upakaar, bhuvan shom, usakee rotee, do boond paanee, dushman, ek adhooree kahaanee, reshama aur shera, shole, ankur, duvidha, nishaant, manthan, aakrosh, sadgati, aarohan, daamul, paar, gulaamee, mirch masaala, jenesis, deeksha, roodaalee, lagaan aur maanjhee: di maunten main jaisee anek philmon mein graameen katha ka vishay hai.

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References

Hindi Books
1. Javrimalla Parakh, Sociology of Hindi Cinema, 2006, Granth Shilpi (India) Pvt. Ltd. Delhi.

2. Javrimalla Parakh, Popular Cinema and Social Reality, 2001, Anamika Publishers and Distributors, New Delhi.

3. Rahi Masoom Raza, Cinema and Culture, 2003, Vani Prakashan, New Delhi.

4. Vinod Das, Indian Cinema and Conscience, 2003, Medha Books, Delhi.

5. Edited by Mrityunjay, Hundred Years of Cinema, 2015, Shilpayan Prakashan, Delhi.

6. Edited by Geeta Shri, Hindi Cinema: A World Apart from the World, 2014, Shilpayan Prakashan, Delhi.

7. Javrimalla Parakh, Shared Culture, Communal Terrorism and Hindi Cinema, 2012, Vani Prakashan, New Delhi.

8. Edited by Mrityunjay, Hundred Years of Cinema, 2015, Shilpayan Prakashan, Delhi. Kamala Prasad, Swayam Prakash, Rajendra Sharma, Prahlad Agarwal, Hindi Cinema: From Twentieth to Twenty-First Century, 2009, Sahitya Bhandar, Allahabad.

Films -

1. Chandidas, 1934, Director - Nitin Bose

2. Pukar, 1939, Director - Sohrab Modi

3. Awara, 1951, Director - Raj Kapoor

4. Do Bigha Zameen, 1953, Director - Bimal Roy

5. Do Aankhen Barah Haath, 1957, Director - V. Shantaram

6. Mother India, 1957, Director - Mehboob Khan

7. Mughal-e-Azam, 1960, Director - K. Asif

8. Ankur, 1974, Director - Shyam Benegal

9. Garam Hawa, 1974, Director - M.S. Sathyu

10. Nishant, 1975, Director - Shyam Benegal

11. Shatranj Ke Khiladi, 1978, Director - Satyajit Ray

12. Aakrosh, 1980, Director - Govind Nihalani

13. Sadgati, 1981, Director - Satyajit Ray

14. Damul, 1984, Director - Prakash Jha

15. Paar, 1984, Director - Gautam Ghosh

16. Mirch Masala, 1987, Director - Ketan Mehta

17. Rudaali, 1993, Director - Kalpana Lajmi

18. Bandit Queen, 1994, Director - Shekhar Kapur

19. Samar, 1999, Director - Shyam Benegal

20. God Mother, 1999, Director - Vinay Shukla

21. Lagaan, 2001, Director - Ashutosh Gowariker

22. Lajja, 2001, Director - Raj Kumar Santoshi

23. Manjhi: The Mountain Man, 2015, Director – Ketan Mehta