Volume : 1, Issue : 2, DEC 2015

DAVID MAMET: THE SHAPING OF A PLAYWRIGHT

Dr. Ali Hasan

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Article No : 16

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References

[1] Bigsby C.W.E. David Mamet. Contemporary writers series. New York: Mehuen, 1985.
[2] Bigsby C.W.E. A Critical Introduction to Twentieth Century American Drama: Beyond Broadway. Vol.3. New York: Cambridge University Press, 1985.
[3] Gottieb, Richard. “The Engine that Drives Playwright David Mamet”. New York Times (15 January 1978): B1,4.
[4] Harriott, Eshter. American Voices: Five Contemporary Playwrights in Essays and Interviews. Jefferson: McFarland & Company, Inc., 1988.
[5] Hubert-Leibler, Pascale. “Dominance and Anguish: The Teacher-Student Relationship in the plays of David Mamet”. Modern Drama 31(1988): 557-70
[6] Lawson, Steve. “Language Equals Action”. Horizon (November 1977): 40-45.
[7] Mamet, David. “First Principles.” Twentieth Century American Literature. Vol.4, ed. Harold Bloom. New York: Chelsa House Publishers, 1986: 2467-8.
[8] Roudane’, Matthew C. “An Interview with David Mamet”. Studies in American Drama, 1945-Present I (1986): 73-81.
[9] Savran, David. In their own Words: Contemporary American Playwrights. New York: Theatre Communications Group, 1988. 132-44.
[10] Veblen, Thorstein. The Theory of the Leisure Class. New York: The Modern Library, 1934.
[11] Ventimiglia, Peter James. “Recent Trends in American Drama: Michael Cristofer, David Mamet, Albert Innaurato”. Journal of American Culture 1 (Spring 1978): 195-204.
[12] Wetzsteon, Ross. “David Mamet: Remember That Name”. Village Voice (5 July 1976): 101-104.