Volume : 2, Issue : 2, FEB 2016

THE USE OF LANGUAGE IN DAVID MAMET’S PLAYS

Dr. Ali Hasan

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Article No : 3

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References

[1] Almansi, Guido. "David Mamet, a virtuoso of Invective". European views of contemporary Literature. Carbondale: Southern Illinois University Press, 1986. 191-207.
[2] Bigsby, C.W.E. David Mamet. Contemporary writer series. New York: Methuen, 1985.
[3] Bigsby, C.W.E. A critical introduction to Twentieth Century American Drama: Beyond Broadway. Vol.3. New York: Cambridge University Press, 1985.
[4] Chakravartee, Moutushi. “The Verbal Cloak: David Mamet” A Study of Ritual and Ceremony in Some Contemporary American Plays. Thesis. Ranchi University, 1989 236-87.
[5] Cohn, Ruby. “Narrower Straits: Ribman, Rabe, Guare, Mamet”. New American Dramatists: 1960-1980. London : The Macmillan Press Limited, 1982. 27-46.
[6] Gusson, Mel. “The Daring Visions of Four New, Young Playwrights”. New York times (13 February 1977): 2: 1,9,13,14.
[7] Gusson, Mel. “David Mamet’s Latest Microcosm”. New York Times (4 December 1977): 2:3,34.
[8] Herman, Wiliams. Understanding contemporary American Drama. Columbia: University of South Carolina Press, 1987.
[9] Kroll, Jack. “The Muzak Man”. Newsweek (28 February 1977): 51.
[10] Mamet, David. American Buffalo. New York: Grove, 1976.
[11] Porterfield, Christopher. “David Mamet’s Bond of Futility”. Time (28 February 1977): 41-42.
[12] Wetzsteon, Ross. “David Mamet: Remember That Name”. Village Voice (5 July 1976): 101-104.